Shot types/ movement:
The trailer relies on close up shots to demonstrate the emotional intensity through facial expressions. The close ups are implemented during important lines of dialogue to express the facial reactions of the characters. The close ups also bring a sense of connection to the internal conflicts that are established and emphasize the psychological struggle that the subjects face. The medium and wide shots are employed to display patients in groups and establish the setting of the hospital, presenting the social dynamics of the patients and the regulation and confinement of the institution.
The camera movement is often static or lightly tracking during exchanges of movement. The non- stylistic camera movements reflect the naturalistic intention that is created within the narrative. The trailer is meant to concentrate attention toward the character exchanges and observation of events as the drama portrays a story that is based on true events.
Editing:
The trailer primarily implements continuity editing which avoids abrupt transitions between non- continuous moments, developing a smooth narrative progression. This allows the audience to follow Susanna's experience as she transitions to live inside of the institution. Within group settings, cross cutting to a state of reflection is made to contrast the subject to the rest of the people in the institution, evoking themes of isolation and conflicted identity. The pacing is neither fast or slow, developing a naturalistic, observational delivery. The content of the trailer is the main factor of engagement, not relying on elements of editing to capture viewer attention.
Sound:
The non- diegetic music is lightly present. It creates an emotional tone without becoming the center of attention. The music reflects the inner conflict being faced by the subject to suggest her psychological state. The diegetic sound primarily exists in the form of dialogue. The dialogue that is present in the trailer is selectively chosen to demonstrate the progress of Susanna as she navigates the institution. The dialogue is reflective of instability of emotion and psychological detriments. Other forms of non- diegetic sound originate from ambiance to develop a more naturalistic environment.
Mise- en- scene:
The setting of the film exists in an immediate introduction to the institution. The set design is mundane and the coloring is muted to display the conformed state of the patients. Props that exist within the set are as follows: beds, medical charts, trays. The props create a realistic environment that a hospital would typically adopt. The costuming corresponds to the period in which the film is set- I would assume 1950s/ 1960s to establish the time period. The doctors wear appropriate costuming- aprons, hats and name tags. The patients are dressed in gowns with muted towns to suggest the mundaneness of the environment. This reinforces the realism that is developed within the narrative. The lighting is naturalistic and muted within the scenes that are inside the hospital. The documentary- style realism is evident with the non- studio produced lighting.
Shot types/ movement:
Close up shots are primarily implemented within the trailer to display both the Lisbon sisters and the boys who watch them to allow for observation of the emotions that exist within both genders. Psychological depth is given to the characters as the girls are presented as mysterious. Wide shots are implemented to portray group settings and homes. The setting, through these wide shots, is emphasized as mundane and conformed.
The camera movement adopts slower panning. The purpose is to create a dream- like quality to evoke a sense of suspense within viewership. The slower pace of the camera allows the events to be taken in in a nostalgic pace. The pacing feels as though in an alternate state. Flowy and slow.
Editing:
The editing portions of the trailer rely on montage sequences and dissolves. The scenes that are implemented do not follow a chronological order and are purposed to create an emotional evocation of mystification as it develops and enigma. The mystery is created through the reliance on text card dissolves in between each clip that is inserted. A heavier weight is put on the use of text in order to maintain mystery and not give away too much information about the film within the trailer. The visuals do not advance the plot in any way- but are relied on to develop the dreamy mood of the film. The "Love... Sex... Death...Passion... Fear...Obsession" title cards at the end of the production are repetitive which creates a mirrored effect to the film itself- intriguing the audience. The pacing during the trailer progresses from a slower development to a more fast pace as the montages exist, influencing the intensity of the climax.
Sound:
The trailer relies on non- diegetic music to develop the melancholic tone of the film. The music is reflective, but soft, creating an emotional evocation of mystification. The themes of the film are reinforced through the music implemented- nostalgia and dream- like. The dialogue (diegetic sound) is extremely selective, almost having scripted qualities. There is some environmental noise, but it is limited as the environment is created through non- diegetic elements.
Mise- en- scene:
The mise- en- scene of the trailer exists in the suburban setting of the trailer. The houses and tree lined streets create the nostalgic, childhood atmosphere that the Lisbon sisters live in. The costuming of the girls is casual, but romanticised. The girls often wear dresses with intentional hairstyles that brings about aspects of femininity. The lighting is soft and clear, in a dream- like way, creating an ethereal atmosphere. The color pallete primarily relying on muted and pastel tones reflects the emotional tone of the production while creating dream- like aspects and femininity.
- Lauren ♡
.jfif)
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